I was about to shoot a music video for a friend who is in a local Boston rock band called Nervous. We threw ideas around for a while, but we ended up with a pretty simple concept of a girl bumming around her house and eventually going on a bike ride. Not very complex, but who cares, it’s a music video! Our friend Marianne who would play the girl, had recently gotten into a bike accident. She had a busted up hand with a brace on it, and her eyeball had a few broken blood vessels in it. I felt these physical attributes would make the content weirder, and so I decided to accentuate them.
For the opening shot, which is a close up of Marianne’s face, we used the Litepanels Ringlite Mini to make her eyes look even more bizarre. Specs of red in the white of her eye, and a ring of white in the pupil. It looked mad cool. I would even go as far as to say it looked dope.
The original intent of using the Ringlite was to gain a certain effect for all of the interior apartment scenes. I wanted it to look a bit like “Grey Gardens” and a bit like Fiona Apple’s video for “Criminal”. Both of these pieces use some type of camera mounted light. “Grey Gardens” being a doc with many dimly lit interiors, does it for necessity.
“Criminal”employs a drastic spotlight effect in interior spaces as a stylistic choice.
I wanted to meet in the middle between these two looks. I had the Ringlite mounted for every interior shot. Obviously it didn’t end up being the prettiest footage in the world, but that wasn’t the point of doing it. It gave the desired effect. As the camera moves in the wide shots, you can see the light fall off around all edges of the frame. As Marianne moves through the frame, her body gets darker and lighter depending on her distance from the camera. Her skin even blows out a bit in the times where she briefly gets very close to the camera. I made her do many tasks around the house like wash dishes,make coffee, play video games, answer the phone, and change sweaters a number of times. All things that are somewhat dexterous, and that would accentuate the inconvenience of the hand brace. All of my close ups I did almost too close. When I would have normally used a 65 or an 85, instead I used a 135. I was changing lenses frequently, but the Ringlite wasn’t much of a hassle. It slides on and off with the greatest of ease.
I had a pretty minimal setup with a Sony F3, set of Zeiss Superspeeds and the Ringlite. I had a couple other lights that I used sparingly. So I used the Ringlite for two totally different purposes and they both worked out splendidly. It’s easy to mount, very lightweight, and has a ton of adjustability and light level control. It’s siiiiiick.
-Sam Smith, QC Technician, email@example.com