Join ARRI’s Guenter Noesner and Michael Best for an overview of the new ALEXA Mini LF Camera System + accessories including the ALEXA LF, ALEXA Mini LF, ARRI Signature Primes, and the latest accessories.
The new ALEXA Mini LF (coming soon to rentals!) combines the compact size and low weight of the popular ALEXA Mini with the large-format ALEXA LF sensor, providing excellent image quality in large format, internal recording to new Codex Compact Drive, new MVF-2 high-contrast HD viewfinder, great system compatibility, and lots more.
Also on-hand will be the ARRI Signature Prime lenses in focal lengths from 18mm to 150mm and the latest accessories including the cforce mini RF, Master Grips, OCU-1, FSND Filters, as well as the WCU-4.
6-8pm Pub Night with Pizza + Beer featuring ALEXA Mini LF + Signature Primes • FREE! • RSVP here
3-5pm Drop-in with ARRI Pro Camera Accessories • FREE! • Feel free to stop by before Pub Night, anytime between 3-5pm, for a casual hands-on look at ARRI Pro Camera Accessories.
Click here to RSVP for Pub Night. RSVP’s help us plan food + drink, so THANK YOU! Click here to download our Pub Night flyer.
Join ARRI’s Philip Vischer for an overview of the latest pro camera accessories and hands-on demo with the LMB 4×5 + LMB 6×6, Diopter Accessories 138mm + 6”, Rota Pola Frame 4×5.65 + 6×6, New Bottom Dovetail Plates, and accessories for the Sony VENICE, VENICE Extension Unit, and the RED DSMC2.
RSVP: firstname.lastname@example.org • FREE!
At long last ARRI weds the popular LMB-25 with the studio functionality of the MB-19 in the new LMB 4×5.
No longer must we double up on studio and lightweight boxes on the same job as the 4×5 can fill both roles.
The swing away and tilt module is my favorite new option!
Click here to watch ARRI’s cool CGI video that visually explains the whole system:
–Adam Van Voorhis, Equipment Manager,
Every day, the engineers and Quality Control technicians here at RBC, check, reset, clean, test, calibrate and otherwise ensure that our equipment is ready for the next shoot.
Engineer, Jeff Dickerson, recently checked in the ARRI 60mm Macro Lens PL mount. Both front and rear elements got a detailed inspection and cleaning for dust, scuffs and scratches that get logged (if found) for future reference. He also tested the iris and focus rings to make sure they were turning smoothly and that the iris blades open and close correctly. The body of the lens was checked for scratches and dents in the metal that could cause issues, and to wrap it up, he checked to be sure that all of the screws on the lens and PL mount are accounted for and as tight as they need to be before putting the lens back in rotation.
With the 60mm macro lens, a rear element scratch is alway a scary thing. The rear element is responsible for focusing the entire image onto the film plane (or sensor in the 21st century), so a scratch to this piece of glass will almost certainly show up in an image if damaged. Fortunately for this one, the scratch is on the perimeter of the glass, outside of the sensor’s view which does not affect image quality and flaring.
SOLD OUT, but don’t despair!
This “On The Road” Learning Lab at Studio 16 with DPs Matt Workman (Cinematography Database) and Harvey Burrell (Windy Films) is officially SOLD OUT. Tune into Matt’s Cinematography Database YouTube Channel afterwards (stay tuned for “when” — Matt’s moving this week) for the video version showing various studio lighting set-ups with the ARRI L10C, S60-C with Chimera Softbox, SkyPanel and 1K. You’ll learn how to:
- Match/balance against window light
- Create soft beauty lighting
- Light for high-end, table-top shoots
- Compare the new ARRI L10C with the more traditional ARRI Fresnel 1K
Interested in buying or renting ARRI or other lighting products? Click here to email us or call 800-rule-com.
For all those who RSVP’d before we sold out, you will have received parking and public transportation details. If not, email us at email@example.com. Thanks.
Watch our new IN THE SHOWROOM videos for the latest in new and featured gear.