Rent for $975.00 per day

Interested in learning more about the ARRI AMIRA? Watch our Learning Lab. 

SKU: R-AR-AMIRA Categories: , ,


ARRI proudly introduces AMIRA, a versatile documentary-style camera that combines exceptional image quality and affordable CFast 2.0 workflows with an ergonomic design optimized for single-operator use and extended shoulder-mounted operation. Ready to pick up and shoot straight out of the camera bag, AMIRA is hardy enough to take anywhere and features in-camera grading with preloaded 3D LUTs, as well as 200 fps slow motion. It is suitable for a great variety of production types, from reportage and corporate films to TV drama and low-budget movies, so wherever you are headed and whatever you need to shoot, let AMIRA be your companion.

AMIRA records Rec 709 or Log C images using ProRes LT, 422, 422HQ or 4444 codecs. Camera speeds of up to 200 fps allow full-quality slow motion pictures of staggering clarity and detail to be captured. By recording to in-camera CFast 2.0 flash memory cards with super-quick data rates, the route into post production is made as simple as possible. CFast 2.0 is an open format, delivering a fantastic price-performance ratio through incredible transfer speeds, long recording times and compatibility with standard IT tools. Costs per GB are brought right down and higher-than-broadcast-quality image pipelines are made available even to low-budget productions.


• Same 35 mm sensor as ALEXA
• Dynamic range of 14+ stops
• Natural colors and skin tones
• HD 1080/2K; Log C/Rec 709
• ProRes up to 4444 on CFast 2.0 cards
• Up to 200 fps – full image size
• Quick start-up – ready to shoot
• Optimized for the single operator
• Sliding dovetails – perfect shoulder balance
• Internal ND filters (0.6/1.2/2.1)
• OLED eyepiece and fold-away LCD monitor
• Multi-channel audio – easy-access controls
• Preloaded/custom-built 3D LUTs and Looks
• Adjustable Looks – total color control on set
• High creativity, low postproduction costs
• Upgradeable hardware and software
• Solid lens mounts (PL/B4 2/3”/EF)
• Sealed electronics and efficient cooling


Sensor Type: 35mm format ARRI ALEV III CMOS (28.17×18.13)
Sensor Pixel Count: 3414 x 2198: 3200×1800 (4K UHD) 2880 x 1620 (HD), 2868 x 1612 (2K), for monitoring with surround area: 3168 x 1772 (HD), 3154×1764 (2K)
Recording Pixel Count: 1920×1080 ProRes HD and HD outputs, 2048 x 1152 ProRes 2K, 3840 x 2160 Pro Res 4K UHD and UHD outputs*
Lens Mounts: PL mount w/ Hirose connector and LDS, B4 mount w/ Hirose connector, EF mount
Shutter: Electronic shutter, 5.0° to 356.0°
Exposure Index: EI 160 to EI 3200 (EI 800 base sensitivity)
Exposure Latitude: 14+ stops over the entire sensitivity range from EI 160 to EI 3200 as measured with the ARRI Dynamic Range Test Chart (DRTC-1)
Audio Recording: 4 channels, 24 bit PCM, 48 kHz
Integrated motorized ND Filters: FSND 0.6, 1.2, 2.1
Sound Level: < 20 dB(A)
Weight: ~ 4.1 kg/9.2 lbs (camera body with PL Lens mount)
Dimensions: Length: 309mm/12.1″, width: 139 mm/5.4″ , height: 149mm/5.8″ (camera body with PL lens mount)
Environmental: ‘-20° C to +50° C (-4° F to +122° F)
Viewfinder: AMIRA Multi Viewfinder MVF-1 (OLED and LCD)
Outputs Video : 2x HD-SDI out 1.5G, 3G and 6G: uncompressed HD/UHD video with embedded audio and metadata***
Outputs Audio : 3,5mm headphone jack, Bluetooth audio
Outputs Power: Hirose 12pin (for ENG type zoom lenses); 12V: D-tab, Hirose 4pin, Lemo 2pin; 24V: RS 3pin
Inputs: Genlock, HD-SDI, Timecode (In and Output), all BNC
Other Interfaces: USB 2.0: For importing and storing AMIRA Look Files, user set up files, frame line files and feature license keys. Stores captured still image formats in DPX (.dpx, 10 bit) or JPEG (.jpg, 8 bit) format. Stores log files. Also used for installing Software Update Packets (SUPs.; Ethernet LAN RJ-45 for camera remote control.
Recording Media: CFast 2.0 memory cards
Recording Formats: HD 1920×1080 (interlaced&progressive)
4K UHD 3840×2160*
Recording Frame rates: 0,75 – 100 Fps (progressive);
0,75 – 60 Fps with 4K UHD*
Recording Codecs (w/ embedded audio & metadata): ProRes
422 (LT)
Rec709/LogC Rec709
Looks: 3 fix Looks (in camera adjustable)
Adjustable image parameters: Knee, Gamma, Saturation, Black Gamma, Saturation by Hue
Import of custom 3D LUTs –
Focus and exposure control: Peaking, Zebra, False color
Whitebalance: Auto WB
Wifi** and Ethernet Camera Remote Control –
Audio monitoring: Headphone output (mini jack)
Pre Record function –
* Requires installed 4K UHD license
** Will be supported with later SUP
*** embedded audio only in 1,5G and 3G


Camera Body
PL LDS Lens Mount w/Port Cap
MVF-1 Electronic Viewfinder
UAP-2 Top Plate
CCH-1 Center Handle
2x 4” 15mm AL Rods
VAB-1 VF Attachment Bracket
VF Mounting Bracket
Sliding Top Handle w/VF Mount
BPA-3 Bridge Plate Adapter
BP-9 Bridge Plate
12” Dovetail Plate
WPA-1 VCT Wedge Plate Adapter
QRP-1 VCT Quick Release Plate
(2) 15mm Steel Rods
Tiny USB Stick
AB Gold Mount Sandwich Plate
24V AC Power Supply w/AC Cable
(2) KC50-S Power Cables
10’ XLR3 24V Power Cable
Short Viewfinder Cable
Short Hirose Lens Cable
XLR5 – 2x XLR3 Audio Cable
MHB-2 Microphone Adapter Bracket
VFA-2 Viewfinder Adapter Bracket
Cfast Card Reader
USB 3.0 Cable
2mm Allen Driver | 3mm Allen Driver
Screen Protector