Body Only: Approx. 153 x 148 x 168 mm (6.0 x 5.8 x 6.6 in.)
Body and Grip: Approx. 183 x 148 x 189 mm (7.2 x 5.8 x 7.4 in.)
Body, Grip, Handle, Mic Holder, LCD Monitor LM-V2 and Expansion Unit EU-V2: Approx. 343 x 277 x 333 mm (13.5 x 10.9 x 13.1 in)
EF Camera body (without Camera Grip GR-V1 or thumb rest) Approx. 1.75 kg ( 3.9 lb)*
*Body with PL Mount body; Approx. 2030g (4.5 lb.)
*Body with EF Cinema lock Mount body; Approx. 1860g (4.1 lb.)
Camera Grip GR-V1: Approx. 260 g (9.2 oz.)
LCD Monitor LM-V2: Approx. 204 g (7.2 oz.)
Handle unit: Approx. 227 g (8.0 oz.)
Battery Pack BP-A60: Approx. 434 g (15.3 oz.)
Compact Power Adapter CA-CP200B: Approx. 290 g (10.2 oz.) *Not including AC cable
Battery Charger CG-A20: Approx. 145 g (5.10 oz.)
Eyecap: Approx. 26 g ( 0.92 oz.)
Mic holder unit:Approx. 56 g ( 2.0 oz.)
LCD Attachment Unit LA-V2: Approx. 265 g (9.3 oz.)
Thumb rest: Approx. 9 g ( 0.32 oz.)
Extension System Attachment Bracket: Approx. 11 g (0.39 oz.)
Unit Cable UN-5: Approx. 80 g (2.8 oz.)
Body cap: Approx. 17 g (0.60 oz.)
4096×2160: when 4096 x 2160 or 2048 x 1080 is selected as the resolution (Approx. 8.85 megapixels)
3840 x 2160: when 3840 x 2160 or 1920 x 1080 is selected as the resolution (Approx. 8.29 megapixels)
4206 x 2280; Approx. 9.6 megapixels
(1) Manual exposure based on shutter setting, iris setting, ISO/gain setting, and ND filter setting
(2) Push auto iris control, auto iris control
Metering Modes-
Standard, Spotlight and Backlight
Gain-
Normal Setting -6dB to 54dB TBD
Fine Setting -2dB to 54dB in 0.5 dB increments
ISO-
100 to 102,400
Auto Gain Control (AGC)-
Not Available
Shockless Gain-
Not Available
Exposure Compensation/AE Shift-
–2.0 to +2.0 in 0.25 point intervals
Shutter Modes-
3 Modes: OFF; Speed; Angle; Slow Shutter; Clear Scan
Speed Mode is selected in 1/3 or 1/4 stop increments
Shutter Speed Range-
59.94Hz/24.00Hz: 1/12 to 1/2000
50.00Hz: 1/12 to 1/2000
Shutter Angle Settings-
59.94Hz/50.00Hz/24.00Hz: 360, 240, 180, 120, 90, 60, 45, 30, 22.5, 15, 11.25
Iris Settings (EF)-
Can be set to 1/2 stop, 1/3 stop or Fine.
(1) Push auto iris control
(2) Auto iris control (Compatible lens required)
(1/2, 1/3 stop or fine setting can be selected)
Focus Control-
Dual Pixel CMOS AF
Focus Modes-
Manual focus, continuous AF, one-shot AF, AF-Boosted MF, face detection AF
Only lenses that support AF functions can be used in AF modes
System Frequency-
59.94 Hz, 50.00 Hz, 24.00 Hz
59.94 Hz mode: 59.94i/59.94P/29.97P/23.98P
50.00 Hz mode: 50.00i/50.00P/25.00P
24.00 Hz mode: 24.00P
Resolution-
Mode Resolution Frame Rates
Cinema RAW Light 4096×2160 59.94p / 29.97p / 23.98p /
50.00p / 25.00p / 24.00p
2048×1080 59.94p / 29.97p / 23.98p /
50.00p / 25.00p / 24.00p
XF-AVC 4096×2160 / 3840×2160 59.94p / 29.97p / 23.98p /
50.00p / 25.00p / 24.00p
2048×1080 / 1920×1080 59.94p / 29.97p / 23.98p /
50.00p / 25.00p / 24.00p/ 59.94i / 50i
1280×720 59.94p / 50p
Color Gamuts*-
Cinema Gamut, BT.709, BT.2020
Gamma Curves*-
BT.709, Wide DR, Canon Log 2, Canon Log 3, PQ, HLG
*Enabled for recording (including proxy) and output from each terminal, but does not affect recorded Cinema RAW Light files.
Codecs-
XF-AVC (10 bit 4:2:2 (CFexpress) or 8 bit 4:2:0 (SD card))
Cinema RAW Light (CFexpress)
Recording Media-
CFexpress 2.0 (Type B) x 2 slots
Media Capacity (GB)-
SanDisk Extreme Pro 512
Sony TOUGH 512
SD Card (Still Images (JPEG), Custom Picture Data, Clip Metadata, and menu settings); SD/SDHC/SDXC Supported
Recording Time with CFexpress 512GB card-
Cinema RAW Light:
1 Gbps = 64 Minutes 250 Mbps = 256 Minutes
XF-AVC Intraframe
810 Mbps = 79 Minutes 410 Mbps = 156 Minutes 310 Mbps = 207 Minutes 160 Mbps = 401 Minutes
XF-AVC Long GOP
260 Mbps = 246 Minutes 160 Mbps = 401 Minutes 50 Mbps = 1284 Minutes 24 Mbps = 2675 Minutes
Recording Time with 512GB SD card-
XF-AVC Long GOP:
35 Mbps = 1945 Minutes 24 Mbps = 2840 Minutes 17 Mbps = 4010 Minutes
File Format-
XF-AVC: MXF (OP-1a)
RAW: CRM
File System-
CFexpress: exFat
SDHC card: (up to 32 GB): FAT32
SDXC card (more than 32 GB): exFAT
File division unit: 4 GB for FAT32, none for exFAT
Maximum Clip Number-
999 (per media)
Audio Recording Format-
Linear PCM; 4-Channel; 24-Bit; 48 kHz
Built-in Microphone-
Monaural
External Audio Inputs-
2 – XLR inputs (Auto and Manual level settings)
External microphone terminal: (3.5 mm diameter)
Recording Chanel Selection-
Up to 4 channel audio recording is supported.
XLR Mic Trimming-
Available; -12dB, -6 dB, 0dB or +12 dB
Limiter-
Available
Recording Level Adjustment Range-
Infinity to +18dB
Phantom Power-
Available; +48V
Headphone Adjustment-
16 Settings; Volume is muted at lowest setting
Built-in Speaker-
Available; Volume Adjustable
1KHz Tone-
Available (off, -12, -18, or -20 dB)
Playback-
Clip Display: 3×4 Index Display.
Clip Playback: Forward Search (x5, x15, x60), Reverse Search (x5, x15, x60), Forward frame Advance, Reverse Frame Advance, Record Review, Skip to next clip, skip to previous clip
Clip information Display: Clip Metadata display, custom picture settings
Playback Functions: Clip Delete
Photo Playback: index, single playback, delete, protect
Slow and Fast Motion Recording-
Available; Records at a different frame rate then the playback rate allowing for fast and slow motion effects:
Sensor Mode Recording Mode Available Frame Rates
Super35 Cinema RAW Light 23.98P/24P: 12-120
29.97P: 15-120 25P/50P: 15-120
59.94P: 15-120
Super16(Crop) Cinema RAW Light 29.97P: 15-180
25P/50P: 15-180
59.94P: 15-180
Super35 XF-AVC 23.98P/24P: 12-120
23.98P/24P: 12-120
25P/50P: 15-120
59.94P: 15-120
Super16(Crop) XF-AVC 23.98P/24P: 12-120
29.97P: 15-180
25P/50P: 15-180
59.94P: 15-180
Special Recording Functions-
Relay Recording*; Double-Slot Recording**
* Not available during Slow Motion recording
** Not available in combination with Slow and fast motion recording or relay recording
Photo Recording Mode-
Available; Images captured to SD Card
Waveform Monitor-
Available (HDR Compatible);
(a) Line display
(b) Line + spot: Line display over a red waveform in a red frame.
(c) Line select display
(d) RGB (parade)
(e) YPrPb (parade)
Output gain can be selected as either 1x or 2x. With gain set to 2x, the vertical axis (Y-position) offset value can be chosen.
When gamma is set to PQ, an PQ index (nits index) can be displayed. When gamma is set to HLG, an HLG index (0.0–1.0 relative index) can be displayed.
Vectorscope-
Available
False Color-
Available
Exposure / Focus Aids-
Peaking (2 types), Zebra Pattern, Magnify, Black and White Mode, Focus Guide
Frame Record-
Not Available
Pre-Record-
Yes, 3 seconds cache (Audio and Video)
Time code-
Drop Frame (DF) and Non-Drop Frame (NDF)
Time Code Modes-
Regeneration, Record Run, Free Run and External Source
Auto White Balance (AWB)-
Available
White Balance-
Kelvin Setting:
2,000K to 15,000K in 100K increment
-20CC to +20CC in 1 CC increments
White Balance Presets-
Daylight (5,600K); Tungsten (3,200K), Custom A, Custom B
Auto Black Balance-
Available
Custom Picture Settings-
20 Custom Picture settings
Custom pictures can be adjusted using the following settings and saved for later recall:
Gamma, Black, Black Gamma, Low Key Saturation, Knee, Sharpness, Noise Reduction, Skin Detail, Selective Noise Reduction, Color Matrix, White Balance, Color Correction, Setup Level
Custom Pictures can be saved to an SD card for later use or transferring between cameras
Custom Display-
Yes; LCD panel and EVF information display can be customized
On Screen Markers-
Available marker options include center, horizontal, grid, aspect, safety zone, and user marker.
With user markers, user can set their preferred size and position.
Markers can be displayed in yellow, blue, green, red, black, gray, or white.
Assign Buttons-
18 total assignable button (15 assign buttons provided on camera body, 1 on the grip and 2 buttons on the monitor unit)
Color Bars-
Color bars compliant with SMPTE, EBU, or ARIB standards can be selected depending on system frequency selected
Sensitivity-
59.94 Hz: f/10 (2048×1080/59.94P) or f/14 (1920×1080/29.97P)
50.00 Hz: f/11 (2048×1080/50.00P) or f/16 (1920×1080/25.00P)
All values for ISO 800, 2000 lux, and reflectance rate of 89.9%
Dynamic Range-
Canon Log 2: 1600% / 16+ stops (ISO 800)
Canon Log 3: 1600% / 14 stops (ISO 800)
LCD Monitor-
4.3-inch (10.9 cm diagonal) color wide-screen LCD
Approx. 2,760,000 dots (1280 x RGB x 720),
Aspect Ratio-
16:9
Field of View Coverage-
100%
Display Adjustments-
Brightness, Contrast, Color, Sharpness, and Luminance
Camera Input/Output-
SDI Out: HD: SMPTE 292
3G: SMPTE 424, SMPTE 425
6G: SMPTE ST 2081
12G: SMPTE ST 2082
Audio: SMPTE ST 299
Monitor Out-
Resolution: 2048×1080 / 1920×1080
Frame Rates:
23.98p/24.00p/25.00p/29.97p/30p/59.94p/50p/60p
Time code In/Out-
Yes; BNC Connector (Input and Output)
Genlock, Supported when optional expansion unit EU-V1 or EU-V2 in attached (Shares function with Synch Out)
Adjustment range: -1023 to +1023
Synch Out-
Supported when optional expansion unit EU-V1 or EU-V2 in attached (Shares function with Genlock)
HD tri-level signal (HD Sync) 1920×1080: 59.94i/50i/23.98/24.00, 1280×720: 59.94p/50p/23.98, 24.00
HDMI-
Yes (Type A)
[4096×2160/3840×2160]/1920×1080/1280×720
Audio Input Terminal-
2 – Balanced 3-pin XLR (Mic Level, Mic Level with phantom power and Line Level)
3.5mm Microphone terminal
Headphone Jack-
Available; 3.5mm stereo mini-jack
Remote Terminals-
Remote A (Standard – LANC Compatible or RC-V100)
Remote B available In conjunction with expansion unit EU-V1 and EU-V2
Remote control through WFT-E9
USB-
Available
CCU-
Optional RC-V100
Power Supply-
14.4V DC (Battery Pack)
DC IN 12V jack: DC 11.5V – 20V
DC 12–20V (using V-mount battery with EU-V2)
Battery-
BP-A Series